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Starred review from December 24, 2007
Martin recounts his tense childhood, his desire to become a magician and his segue into standup comedy in his surprisingly serious and eloquently written memoir. Martin's memories are perceptive and emotionally honest even though he confesses early on that while writing this book, he felt some events in his life “seemed to happen to someone else and I often felt like a curious onlooker.” Martin's writing is spare, concise and evocative, and he's a smooth and limber reader, an assured and relaxed, seasoned raconteur. Martin runs through some of his classic comedy routines to give listeners an idea of how they developed into his “anti-comedy” sets (humor without punch lines). “Enjoyment while performing was rare,” he reveals. “Enjoyment would have been an indulgent loss of focus that comedy cannot afford.” After 18 years of studying, refining and finally succeeding, Martin ends the book when he gives up the solitary standup life in favor of a collaborative life making films. Martin also provides the banjo music that plays between chapters. Simultaneous release with the Scribner hardcover (reviewed online).
Starred review from December 31, 2007
Neatly combining his personal and professional worlds, beloved comedian, filmmaker, author, magician and banjoist Martin (Pure Drivel
) chronicles his life as a gifted young comedian in this evocative, heartfelt memoir, which proves less wild and crazy than wise and considerate—though no less funny for it. The typically reticent performer shares rarely disclosed memories of childhood—his father, a failed actor, harbored increasing anger toward his son through the years—and the anxiety attacks that plagued him for some two decades, along with his early success as a television comedy writer, first for The Smothers Brothers Comedy Hour
, and the evolution of his stand-up routine. Sharp insight accompanies stories of his first adult gig (at an empty San Francisco coffeehouse), his pioneering “no punch lines†style (“My goal was to make the audience laugh but leave them unable to describe what it was that had made them laughâ€), appearances on programs like The Steve Allen Comedy Hour
and breakthrough moments with small, confused audiences. Though the book is vivid and entertaining throughout, Martin doesn't dish any behind-the-scenes dirt from Saturday Night Live
or The Tonight Show
; rather, he's warm and generous toward everyone in his life, including girlfriends and colleagues. Tellingly, this intimate early career recap ends not with Martin's decision to give up live performance or his first starring role in The Jerk
, but with a visit to his parents and Knott's Berry Farm, where he first performed as a teenager.
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