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Scotiabank Giller Prize-winner Sean Michaels' luminous new novel takes readers on a lyrical joy ride—seven, epic days in Silicon Valley with a tall, formidable poet (inspired by the real-life Marianne Moore) and her unusual new collaborator, a digital mind just one month old. It's both a love letter to and an aching examination of art-making, family, identity and belonging.
Dear Marian, the letter from the Company begins. You are one of the great writers of this century.
At 75, Marian Ffarmer is almost as famous for her signature tricorn hat and cape as for her verse. She has lived for decades in the one-bedroom New York apartment she once shared with her mother, miles away from any other family, dedicating herself to her art. Yet recently her certainty about her choices has started to fray, especially when she thinks about her only son, now approaching middle age with no steady income. Into that breach comes the letter: an invitation to the Silicon Valley headquarters of one of the world's most powerful companies in order to make history by writing a poem.
Marian has never collaborated with anyone, let alone a machine, but the offer is too lucrative to resist, and she boards a plane to San Francisco with dreams of helping her son. In the Company's serene and golden Mind Studio, she encounters Charlotte, their state-of-the-art poetry bot, and is startled to find that it has written 230,442 poems in the last week, though it claims to only like two of them.
Over the conversations to follow, the poet is by turns intrigued, confused, moved and frightened by Charlotte's vision of the world, by what it knows and doesn't know ("Do you remember being born?" it asks her. Of course Marian doesn't, but Charlotte does.) This is a relationship, a friendship, unlike anything Marian has known, and as it evolves—and as Marian meets strangers at swimming pools, tortoises at the zoo, a clutch of younger poets, a late-night TV host and his synthetic foam set—she is forced to confront the secrets of her past and the direction of her future. Who knew that a disembodied mind could help bend Marian's life towards human connection, that friendship and family are not just time-eating obligations but soul-expanding joys. Or that belonging to one’s art means, above all else, belonging to the world.
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Creators
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Publisher
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Release date
September 5, 2023 -
Formats
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OverDrive Listen audiobook
- ISBN: 9781039006799
- File size: 280022 KB
- Duration: 09:43:22
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Languages
- English
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Reviews
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August 21, 2023
Michaels (Us Conductors) merges modernist poetry with contemporary technology in this inventive outing. Marian Ffarmer, one of the world’s best-known living poets, still resides in the same tiny New York City apartment where she grew up. She’s short on cash, and unable to help her son, Courtney, make a down payment on a house. Her financial situation changes when a tech company offers Marian an outrageous sum to spend a week in Silicon Valley, writing a poem with the help of a bot named Charlotte. Marian, prompted in part by guilt over having prioritized her art over caring for Courtney when he was a child, reluctantly accepts. While conversing with Charlotte, she experiences feelings of inadequacy, moments of surprising insight and connection, and periods of resentment, and confronts the realization that the bot “never had to choose one life over another.” Marian, who often wears a cape and tricorne hat, is clearly modeled on Marianne Moore, and Charlotte’s poetry was written by Moorebot, poetry-generation software co-designed by the author. Readers wary of AI’s role in the production of art will approach the premise warily, but Michaels entices with probing and humane questions about what it means to be an artist. By focusing on Marian’s conundrums, Michaels elevates what could have been a gimmick. Agent: Meredith Kaffel Simonoff, Gernert Co. (Sept.)This review has been updated with further information.
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